Thursday, July 19, 2007

Lisa, vampires are make-believe like elves, gremlins and eskimos ...

The Night Watch
Sergei Lukyanenko
Anchor Canada

I know what you're thinking ... what is it with this girl and vampire novels? How many books about the undead can one person possibly read? Well, next to Dracula, this is probably the most imaginative, dislocating novel concerning vampires that I have ever read. Seriously.

Like all great fantasy novels, The Night Watch narrates the epic struggle between good and evil. In this case, the hero of the story is Anton, an IT geek, apprentice mage, and general warrior of the Light. Anton is also an "Other" -- part of an ancient race of humans who are compelled by their very nature to swear allegiance to either the Light or the Dark. While the balance of power between the factions is governed by a thousand-year old treaty, the uneasy truce is upset by the revelation that someone has been born that will reign supreme and plunge the world into the war to end all wars.

What differentiates the Light from the Dark is what made this novel so intriguing. The Light isn't always "good" -- it can be manipulative, sneaky, and vicious in how it supports its larger purpose. Those serving the Light are committed to serving others. Those serving the Dark are committed to serving themselves. It goes without saying that my reductive mind jumped immediately (and maybe erroneously) to Socialism versus Capitalism, Community versus the Individual, East versus West. Ain't allegory grand? I really enjoyed this novel and once I get the new Harry Potter out of the way, I see the second book in the series, The Day Watch, becoming my traveling companion over the next week or so. Four shape-shifters out of five.
The Case of the Disappearing Entry

Labyrinth
Kate Mosse
Orion

Okay, so a few of you have sent emails asking me what happened to the last post. Well, um, er, shuffle ... I actually took it down and, uh, deleted it. Honestly, it was total crap and I was kinda embarrassed when I put it out there in the first place.

For whatever reason, I've really struggled to find something interesting to say about this book. To be fair, Labyrinth was a decent summer/beach/cottage read. The story revolves around a young woman who, while volunteering on an archaeological dig in France, inadvertently discovers a hidden cave that holds the secret to the holy grail. Think the DaVinci Code meets Indiana Jones and the Last Crusade.

The book, while quite long, moved along at a good clip and there were a couple of surprises in terms of plot. What I didn't like about the story, was the poor/flat characterization -- the author very much leaned on stereotypes to construct her narrative. Again, as a beach read that's okay. As a potentially more interesting piece of historical fiction about the Cathars, the grail, and medieval France, not so much. Two wooden cups out of five.

Saturday, June 30, 2007

That Isn't Writing; It's Typing

On the Road
Jack Kerouac
Penguin Classics

Well, hipsters, I have finally read Kerouac's classic post-war American novel. It took me the better part of a week to get through it and, to be candid, I'm unsure if it was worth the effort. I didn't understand a damn thing. Okay, maybe that's a bit of an exaggeration, but I was definitely expecting it to blow me away and, well, it didn't.

For the uninitiated, Kerouac's story (told in a sort of groovy stream-of-consciousness) is narrated by Sal Paradise, a fledgling student/writer, who likes jazz, drugs and very young women. Sal yearns to live in a world without rules and one of the ways in which he expresses his rebelliousness is to take to the road. With very few dollars in his pocket, Sal travels across America -- meeting up with friends, making it with girls, and generally seeking out the margins of society. Central to the novel is Sal's friendship with the iconic Dean Moriarty. Dean is a drug-addled, two-timing con man who is unable to commit to anything but the vision he has of himself. He is altogether unlikeable, yet infinitely interesting and Sal is drawn to him despite the terrible things that he does.

Why did I have such a problem with this novel? Maybe because Sal's celebration of "life on the road" was often punctuated by dependence on the very conventions that he sought to reject. His adventures (unlike Dean's) seem little more than an occasional foray into a forbidden world. He always had a safety net (his aunt in New Jersey, his GI benefits) and it seemed that while he tried to live on the edge, it was always a low risk proposition. Sal was, what my friends in the 80s would have called a "poser"; a watcher who collected someone else's stories and tried to live them as if they were his own.

Putting my dislike of the characters aside, Kerouac's writing is brilliant and the novel is worth reading if only for the beauty of his prose. I came across a couple of new (I guess old!) names for certain drugs in the book and I have to give him props for his use of the word "hincty." And no, I'm not going to tell you what it means. Three juke joints out of five.

Wednesday, June 20, 2007

A Bouquet of Alarming Aphorisms

Horseradish - Bitter Truths You Can't Avoid
Lemony Snicket
Harper Collins

Daniel Handler strikes again! Horseradish - Bitter Truths You Can't Avoid is a collection of oddly funny, yet slightly depressing aphorisms from the author of the Series of Unfortunate Events. Reading it started me to wonder ... why is it that the bookstore, which is most definitely my "happy place", the source of such angst, sadness and depression in my imaginative life?

I mean, really, just look at the books I have reviewed in the past few months. Why don't people want to write, read and/or publish happy stories? Or is it just me and I am drawn to books with heavy themes like death, war, pestilence and strife? I have liked, if not loved, quite a number of the novels that I have read since starting this blog and I would like to know what, exactly, this says about me. Maybe I should be worried ... Sigh.

Okay, so back to Handler for a moment. His little book of wit and wisdom is divided into thirteen (noticing a trend?) chapters. In each, he offers up a few "kernels of dread" that can inspire or deflate -- depending on the mood of the reader. I will leave you with my favourite and the one that I think, perhaps, is the most true.

It is one of life's bitterest
truths that bedtime so often
arrives just when things are
really getting interesting.

Sunday, June 17, 2007

Wanking in the Attic

Apples
Richard Milward
Faber and Faber

Meet Adam and Eve -- two blue-collar kids growing up in the Middlesbrough estates. Adam is a slightly OCD Beatlemaniac who regularly gets beaten up by his dad, has few friends, and is trying desperately to break out of geekdom. Eve is a beautiful, but bored young woman, who spends her weekends going to clubs, getting high, and finding cute boys for snogging and sex. They are both fifteen.

According to other reviewers, Milward's portrayal of Adam and Eve is an accurate depiction of teenage life in the working class areas of northern England. Date rape, teenage pregnancy, underage drinking, domestic violence -- this book had it all. Despite the heaviness of the material, however, I often found myself laughing at the antics of the main characters. The episode where Adam gets caught masturbating to his father's 80's copy of a Razzle magazine still has me giggling.

So, why the title? Well, aside from the obvious, I think the book is supposed to be about temptation, how to deal with it, and what happens when you fail. I think it's also about gaining knowledge, learning the good from the bad, and figuring out how to recover when you choose poorly. While the circumstances and location may be slightly different (it was acid and hot knives in my day ... not poppers and tac) I think everyone can identify with Adam and Eve and that's what makes this book so appealing. Three tempting serpents out of five.

Sunday, June 10, 2007

Missives from an Old Friend

Adrian Mole and the Weapons of Mass Destruction
Sue Townsend
Penguin

When I was a teenager, my parents let me spend summers up at the cottage. I have so many good memories of those years -- kissing my first boy, cruising with my cousin Chris in his white Chevy Cavalier, rollerskating to Electric Avenue at the arena, and spending late nights down by the water watching the stars and listening to the chattering of the raccoons.

The cottage was even fun on stormy days. If the bay was really rough, Mom would let us put our legs through the arm holes of a life jacket and bob up and down in the waves. She'd only call us in if we were turning blue from cold or if the lightning was getting too close. One such afternoon, she gave us the hook and offered to make hot chocolate so we could warm up. We settled ourselves in front of the television expecting to watch an old Elvis movie and instead, we saw an episode of the BBC's The Secret Diaries of Adrian Mole Aged, 13 and 3/4. I cried I laughed so hard and I was completely smitten with Adrian and Pandora for the rest of the summer.

Sadly, I don't think the Weapons of Mass Destruction stood up well against my memories of the programme or Townsend's first book. Adrian is still a git, Pandora is still a bitch, and Adrian's life, in general, is still a mess. The only thing that I did appreciate about the novel was Townsend's not-so-subtle political commentary. In this installment of the diaries, Adrian's son, Glenn, is shipped to Iraq and Townsend very poignantly deals with the loss of Glenn's best friend. That storyline aside, there wasn't much else to keep my interest. So much so, in fact, that I think my relationship with Adrian is over. This book gets two scuds out of five. Oh wait ... that was the last invasion, er, I mean war ...

Sunday, May 27, 2007

Les Jeux sont faits

Absurdistan
Gary Shteyngart
Random House

I know, I know ... it's been awhile since I've posted anything. The only thing that I can say in my defense is that I haven't really been reading. And yes, before you loyal (and slightly odd) blog followers deluge me with emails and comments, I will admit that me not reading is a little bizarre. Don't panic -- it's not a sign of the Apocalypse or anything. I've just been busy. You know, working, vacationing, commuting to hell, er, I mean Ottawa. Takes a lot out of a girl.

So let's talk about Absurdistan. This novel was a sometimes biting, always over-the-top satire of twenty first century geo-politics. At the centre of the story is (anti) hero Misha Borisovich Vainberg, a grossly rich and obscenely overweight Russian hip-hop fop. Misha, who received a degree in multiculturalism from Accidental College in Middle America, has been exiled from his beloved United States (his father killed an Oklahoman) and he decides to travel to Absurdsvani to obtain a not-so-legitimate Belgian passport so he can become a citizen of the EU. While there, Absurdistan descends into an oil-fueled civil war (that only gets meager coverage by the international media) and our hero has to sort out the good guys from the bad guys.

While most reviewers have firmly positioned Shteyngart's work as a satiric exemplar worthy of Swift or Heller, I think it has more in common with French absurdist/existentialist plays. To my mind, the basic message of the text is that we live in a world where morality and truth do not (perhaps cannot) exist. Like Misha, however, we are responsible for our choices and must absurdly create morality even though we can never be sure of the implications of our actions. Three melancholic Sisyphus out of five.

Monday, May 14, 2007

Crazy Is as Crazy Does

Poppy Shakespeare
Clare Allan
Anchor Canada

Quite honestly, this was one of those novels that make you say WTF?! Set in a north London day hospital, Poppy Shakespeare tells the story of "N" -- a woman who grew up in the system and whose main ambition is to never be discharged. One day, a new girl arrives (Poppy Shakespeare) and asks for N's help to prove to the hospital administration that she is not mad. N agrees and comes up with a crazy plan to win Poppy's freedom.

Darkly and disturbingly funny, Allan's novel blurs the lines between sanity and lunacy. If you can read through the working-class London dialect, Allan's message sounds suspiciously like Plato and the Cave, although she might just be taking the piss out of us -- it's hard to tell. The novel also comes across as a subtle indictment of the British mental health system. One of the characters states "Reality's one thing. The truth quite another." I'm not sure if we readers are to apply that to Poppy's state of mind, the state of institutionalized healthcare in Britain, or take it as a Platonism that should be applied to every day life. Two dribblers out of five.

Sunday, April 29, 2007

Memoirs of a Gaysha

Possible Side Effects
Augusten Burroughs
Picador

Honestly, how many memoirs can one fortysomething write? In Possible Side Effects, a book of short, but bitingly funny essays, Burroughs gives us yet another hilarious glimpse into some of the more, uh, interesting periods in his life. When I looked at this novel in the bookstore, I was a little worried that he wouldn't have anything new to say -- how could he top the stories he told in both Running with Scissors and Dry? As it turns out, my worries were not entirely unfounded.

Possible Side Effects seems to be very much about Augusten the writer of today, versus Augusten the abused child, or Augusten the raging alcoholic. Stories about his dogs or the holidays that he takes with his partner might be interesting someday, but right now, they don't have a lot of resonance with me. Maybe I'm not the target audience for some of these anecdotes -- I don't know. Burroughs does seem to understand that people, regardless of our melting pot mentality, still sort themselves into buckets and it could just be that I can't totally identify with the bucket that is GWM.

Having said all that, this book is still worth picking up. The essay entitled "Moving Violations" had me laughing so hard that people were staring. Never in a million years would I have thought that the phrase "the positive power of porn" would enter my head. No kidding -- reading this chapter has completely altered the course of my life. I'd tell you more, but that would spoil the surprise. Two quirks out of five.

Saturday, April 28, 2007

Cryin' -- But Not Over You

Long for This World
Michael Byers
Mariner Books

For those of you who know me personally, you can attest to the fact that I rarely cry. When I was a little girl, my inconsolable moments were usually as a result of extreme frustration -- I shed many a tear over "not getting" long division in grade three and not being able to master a free-hip-to-handstand on the uneven parallel bars. Who'd have guessed that being eight could be so traumatic?

As a adult, I'm still not much of a crier. True, I do have weepy moments when I get hormonal, but unlike some family members, I am not predisposed to crying while watching sappy Tim Horton's commercials. You can imagine my horror (and that of the gentleman sitting beside me) when I burst into tears on an airplane this past week.

Why the drama? Long for this World is a story about an incredibly bright and funny young man, William Durbin. William has a rare disease, and his geneticist, Henry Moss, is on the cusp of finding a cure for the patient he has grown to love. It wasn't the fact that William died that did me in -- his prognosis was never good and his passing wasn't a surprise. Instead, it was the denouement signalled by his death that was so hard. I was not ready to give up the characters that I met in this book. If it is possible to fall in love with a fictional family, I think that's what happened to me this past week. Byers' characters are flawed, human, and ever so lovingly drawn. I did not want to say goodbye. Four shooting stars out of five.

Saturday, April 21, 2007

Notes from a Posthumous Land

The Road
Cormac McCarthy
Vintage

For whatever reason, I think I have been struck by a severe case of performance anxiety. I have been working on this post for a couple of days now and nothing I write seems good enough to keep. I wouldn't call it writer's block exactly -- I just know that there is a thought in my head trying to articulate itself on the page and somewhere, something is getting lost in the process.

A brilliant example of post-apocalyptic fiction, The Road chronicles the journey of an unnamed father and son as they travel through a catastrophe-ravaged world that offers nothing save ash on the wind. Pushing a shopping cart down the interstate, the rag-clad duo scavenge for whatever they can find while trying their best to avoid bands of menacing survivors, or as the young boy calls them, "bad guys."

At first glance, there is little hope in this novel. A pistol with two bullets is all that really stands between the travelers and an uncomfortable death. Why, then, I asked myself, do they go on? What could possibly be the purpose? The cynic in me says that the need to persevere is instinctual -- no different from the way in which a horse or a cow will turn its back to a blast of freezing prairie air. The critics seem to think that McCarthy's implicit message is that it is the love that the man bears for his child that is the wellspring of hope. I'm not really happy with either of those answers. If I look inside myself, I think I've traveled The Road from time to time (I'm pretty sure I was on it this week, in fact) and it was neither love nor hope that kept me going. It was the fundamentally naive belief that things will get better. Maybe I'm not so different from that cow in the wind.

Sunday, April 15, 2007

You Don't Send a Gentleman to Catch Vermin

Ratcatcher
James McGee
Harper

When I checked out online reviews of Ratcatcher, I wasn't surprised to learn that women and men seemed to be divided about the relative merits of this book. In general, guys indicated that they didn't particularly enjoy the novel and felt that it was a weak example of the thriller/mystery genre. Female readers, on the other hand, offered praise for both the storyline and the uber-manly charms of the brooding (and, uh, hot) protagonist, Matthew Hawkwood. Why the difference? I'm just guessing, but I suspect it's because this wasn't really a thriller -- it was a Regency romance in disguise.

What's a Regency romance, you ask? Well, it is a novel set in England between the years 1811 - 1820. While the romantic plots revolve around marriages of convenience, compromised honour, and attraction between virginal maids and reckless rakes, the back stories often involve the intrigues of the British monarchy and aristocracy, the ongoing war against Napoleon, and, in some cases, the daring exploits of men such as the Bow Street Runners. Enter our mysterious hero -- former captain in the British military, man of brooding good looks, and quite the player with the ladies ... you can see why it was easy for me to draw my conclusion.

Ratcatcher is probably not a book that would appeal to most men. To be candid, I read the bulk of it by candlelight while lounging in the tub with a glass of white wine. Hawkwood was a good companion for a night, but I'm not sure that I will be asking him back. One Prinny out of five.

Thursday, April 12, 2007

Delusional? Who, Me? ...

Richard Dawkins
Houghton Mifflin

This probably wasn't the kind of book that I should have been bringing home as bedtime reading over the Easter holiday. Admittedly, the timing wasn't so good, but it was recommended to me by a colleague and I just couldn't help myself. How could I resist a book that promised to raise my consciousness to the fact that atheists can be happy, balanced, moral and intelligent? (And yes, I did stoop so low as to remove the cover so I could smuggle it into the house. Sorry, Mom -- I'm not proud of it.)

Dawkins, an Oxford professor of ethology, asserts that a persistent (insistent?) "false belief in the face of strong contradictory evidence" is delusional. He then goes on to quote Pirsig, author of Zen and the Art of Motorcycle Maintenance, who said, " When one person suffers from a delusion, it is called insanity. When many people suffer from a delusion it is called Religion." And that, my friends, was just the introduction!

I would be a liar if I told you that I didn't enjoy the text and identify with parts of what Dawkins has to say. Yes, religion sometimes legitimizes some pretty dumb things. And yes, out of context, even the most sane and normal of religious practices can seem kind of weird. Unfortunately, much of what Dawkins asserts is undermined by that fact that he often comes across as a pseudo-religious zealot who glosses a text to hide/support a weak argument. I was expecting the book to be a little more persuasive, and frankly, a little more articulate. Two point five deities out of five.

Oh, and just because I know at least some of you reading this post will ask me what I believe, I will tell you here and now. I'm with Einstein. I can't conceive of anything as perfect as a strawberry or as beautiful and functional as, say, a golden eyelash, without understanding god.

Sunday, April 01, 2007

Nature vs Nurture

We Need to Talk About Kevin
Lionel Shriver
Harper Perennial

I'm not exactly sure what it was about this novel that grabbed me so much. The central character, Eva, is a successful, hands-on business woman, who obviously has some serious commitment issues. Her job frequently takes her away from home (sounding familiar?) and while she occasionally grouses about being away from Franklin, her husband, she's really not that interested in changing careers. One day, she decides that she might not be "happy enough" and asks Franklin if he wants to have a baby. Franklin is dying to be an all-American dad and readily agrees.

Months later, Kevin is born. Right from the start, he and Eva have an uneasy relationship --he won't take to the breast, he goes through nannies like diapers, and is fundamentally a mean (can I say evil?) little boy. When, two days before his sixteenth birthday, Kevin turns into a Columbine-type mass murderer , Eva's world is shattered. In putting it back together, she is forced to re-examine her life in the context of Kevin's horrific act of nihilism.

Reading We Need to Talk about Kevin is both a gripping and a harrowing experience. Written in the form of an epistolary novel, Shriver uses the text to implicitly provoke readers into considering the nature versus nurture question. Did her son turn out that way because Eva was a cold, aloof, emotionally-absent mother, or was he just bad from the beginning? Personally, I believe that the latter is more often the case. Sure, parents can seriously muck-up their kids, but the existentialist in me asserts that we are all responsible for our own choices and that morally there is a right and wrong. Kevin, like my boyfriend Dexter, (remember him?) is smart enough to understand the conventions of morality -- even if they don't exist for him as part of his nihilistic world-view. Three and a half Nietzsches out of five.

Sunday, March 25, 2007

P is for Paris

The End of the Alphabet
CS Richardson
Doubleday Canada

Aphorisms be damned! I know they say that you can't judge a book by its cover, but that's what I did with the subject of this week's post and it seemed to work out fine. I was originally attracted to The End of the Alphabet by the picture of the camel that graced the front cover. The cousin that lives with me at the moment has been nuts for dromedaries since she was a little girl. She's got pictures, stuffed animals, figurines, Christmas ornaments -- you name it, and if it has a camel on it, I'm sure she has one.

When I picked up the book and read the publisher's blurb on the dust jacket, I didn't quite know what to expect. I suppose I thought it would be like an alphabetized Book of Hours crossed with Tuesdays with Morrie. It turns out that my assumption wasn't that far off the mark.

Somewhere in his early fifties, art lover and advertising man, Ambrose Zephyr learns that he has a month to live. He decides that in his remaining days he wants to travel his way through the alphabet and use the time he has left to absorb the beauty of art, life and the self. He and his wife only make it as far as Istanbul when Ambrose returns home to die. Gentle, witty and charming, The End of the Alphabet is a magical love letter well worth picking up. Three camels out of five.

Saturday, March 24, 2007

Somebody's Watchin' Me

The Traveler
John Twelve Hawks
Vintage

A few months ago, one the big debates being discussed in the Toronto media was whether or not the city should install CCTV cameras to monitor activity in a few "problem" areas in the downtown core. Frankly, the idea that the city could track my movements even more than they already do gave me the creeps. Don't worry, I'm not one of those "live free or die" types, but I do believe that the both the government and big business know way too much about what I do, where I go, and what novel I'm likely to choose next at the bookstore. We could just chalk it up to being one of the perils of living in a post 9/11, information age. Or not. I think it's a matter of perspective.

John Twelve Hawks, the author of 2005's The Traveler, might argue that it is possible, and somewhat preferable, to fly under the information radar and "live off the grid" since it is the only real way to live free. The novel focuses on a pair of brothers, Gabriel and Michael, who are suspected to be Travelers -- that is, men who can escape their physical beings and use their energy or "Light" to travel to other dimensions. An evil empire called the Tabula (headquartered in Purchase, NY) want to capture the brothers and use their powers to open a portal and map a path between realities. While Michael is eventually captured and convinced to use his powers for the dark side, Gabriel manages to elude his seekers and flees to the Arizona desert. He is assisted in his escape by a young woman named Maya -- a trained killer sworn to protect Travelers, and a couple of Angelinos who believe in the cause.

I really liked this book. Twelve Hawks (if that, indeed, is his real name) has managed to put together a novel that defies categorization. Part sci-fi/fantasy, part thriller, part social criticism, this novels works, and works beautifully, on so many levels. Despite the fact that I understand this novel is the first in a trilogy, there is very little fat in the text and even the characters names are invested with meaning. Twelve Hawks has done a fantastic job making this an intelligent, engaging read. Four points of light out of five.

Wednesday, March 21, 2007

Leonardo's Girl

I, Mona Lisa
Jeanne Kalogridis
St. Martin's Griffin

So, believe it or not, I'm one of those odd ducks that doesn't actually mind spending time at the airport. When my brother and I were quite young, my dad used to take us to Malton on Sunday afternoons to watch the planes from the roof of Terminal One. If we were really lucky, the afternoon would conclude with a dinner at the Ponderosa. Yeah, I know -- I am so small town it hurts.

Anyway, aside from the noise pollution and the smell of automobile and jet exhaust, there isn't much about the airport that I don't like. I still enjoy watching the planes take off and land, I love making up stories about the people I see, and I get a huge kick out of the randomness of the whole experience. I can tell you which airports across North America have the best bars, the best ice cream, the best lounges, the most inconveniently located car rental agencies, and, of course, the best bookstores. What else is there to do when you take a 3 hour delay?

As you've probably guessed from the lead-in, I've been travelling quite a bit lately and the subject of this week's post I, Mona Lisa by Jeanne Kalogridis was purchased last week on my way home from YOW. Set in Florence during the early 16th century, the author skillfully weaves fact and fiction to create a compelling and immensely readable narrative about the fall of the de Medici, the rise of the Savonarola, and the vie quotidienne of one Lisa di Antonio Gherardini. Surprisingly, the most interesting character in the novel is not the subject of that much talked about painting. It is the portrayal of Leonardo da Vinci that really captures the reader's imagination and leaves him/her wanting more. Three flights of fancy out of five.

Sunday, March 11, 2007

What in Me is Dark, Illumine

This Blinding Absence of Light
Tahar Ben Jelloun
Penguin Books

Every once in awhile, you come across a book that speaks to you in such an intimate way that it becomes a touchstone for how you live your life. I'm lucky enough to have three -- Le Petit Prince, The Alchemist, and now, This Blinding Absence of Light.

Geographically, the book is set in the Tazmamart prison camp in southeastern Morocco. Though he never fired a gun, the narrator (a lieutentant in the Moroccan army) has been incarcerated for his participation in a failed coup d'etat against King Hassan II. The "prison" is actually a concentration camp and for twenty years, he and the other inmates literally live in the dark -- given only enough bread and water to exist on the edge of death. Individually confined to cells that don't allow them to stand, they only see the light when one of their companions dies and the guards allow them to attend the funeral. Eventually, this "privilege" is also taken away and the men must exist in total physical darkness.

What is so moving about this novel is that collectively and as individuals, the men resist despair. Despite the horrific conditions, they use their faith and their imagination to rise above/beyond their physical selves in an attempt to survive. To be able to transcend the kind of cruelty, pain and suffering that these men endured is a testament to man's infinite capacity for hope. They lived in complete and utter darkness, but some never succumbed -- they never lost sight of the light. Five shining stars out of five.

Monday, March 05, 2007

Get a New Plan Stan

Getting Rid of Matthew
Jane Fallon
Harper Collins

As unfair as it might seem, I had big hopes for this novel. The premise is definitely intriguing. An under-achieving, but very beautiful secretary/PA decides to end the four and a half year affair she has been having with a much older, married co-worker. In the process of leaving her lover, she somehow manages to befriend his wife, alienate his pre-teen daughters, and fall madly in lust with his son. Sounds like it could be a lot of fun, right? Sigh. If only it had lived up to its potential ...

I honestly can't think of anything good to say about this novel. I didn't hate GRoM (it wasn't written well enough to evoke that kind of passion in me,) but I definitely wouldn't recommend it to any of my friends. I found the main character to be vapid and shallow and flat-- much like Kitty Fane at the beginning of The Painted Veil. It could be that the novel is just a victim of bad timing --admittedly, my mental landscape is still occupied with thoughts of Adam Spark and I still don't seem to have room for much else. Or it could be that I had such high expectations (I was hoping that GRoM might be the harbinger of an anti-chick lit genre) that the book just couldn't measure up. I'm not sure. In any event, I have to give this one two thumbs down.

Saturday, March 03, 2007

Save Me

The incredible Adam Spark
Alan Bissett
Headline Review

A very unusual thing happened to me last week when I was coming home from the gym. It was Saturday afternoon and I had just finished a gruelling workout (note to self -- never do legs when the trainer has a hangover -- she gets real mean.) As a reward for making it through the session without either giving up or throwing up, I decided that I deserved a trip to the bookstore. As usual, I let the books pick me and I ended up coming home with three selections. I didn't notice it at the time, but each of the titles contained a boy's name -- The incredible Adam Spark, Getting Rid of Matthew, and We Need to Talk About Kevin. I'm sure there must be a message in there somewhere -- if only I had collected enough cereal box tops to send away for that decoder ring ...

Anyway ... let's talk about Adam. The incredible Adam Spark was, for me, a very engaging read. Bissett's brilliant use of colloquial Scots combined with a sort of stream of consciousness narration quite literally hurt my head. I found that I often had to resort to reading sentences out loud in order to figure out what the narrator was saying. Not such a bad strategy in the privacy of my own home, but it did occasion some odd looks on the streetcar during my morning commute.

The story centres on a developmentally challenged young man, Sparkie/Adam, who, after getting a nasty crack in the head, wakes up to discover that he has superpowers; not only can he see auras, but he has also developed the ability to communicate with machines and animals. While his new skills may come in handy in his quest for Employee-of-the-Month, Adam understands that he really needs to use his powers for good. Knowing what "good" is -- well, that's the challenge.

Over the course of the novel Sparkie/Adam has a lot of adventures. He falls in with a gang, falls out with his sister, and falls in love with girl name Bonnie. He is both wonderful and repulsive and I didn't really want his story to end. I'll definitely be coming back to Bissett to see what other work he has written. There was so much packed into a few hunderd pages that I will be thinking about this book for weeks to come. Four big macs out of five. Supersized.