Notes from a Posthumous Land

The Road
Cormac McCarthy
Vintage

For whatever reason, I think I have been struck by a severe case of performance anxiety. I have been working on this post for a couple of days now and nothing I write seems good enough to keep. I wouldn't call it writer's block exactly -- I just know that there is a thought in my head trying to articulate itself on the page and somewhere, something is getting lost in the process.

A brilliant example of post-apocalyptic fiction, The Road chronicles the journey of an unnamed father and son as they travel through a catastrophe-ravaged world that offers nothing save ash on the wind. Pushing a shopping cart down the interstate, the rag-clad duo scavenge for whatever they can find while trying their best to avoid bands of menacing survivors, or as the young boy calls them, "bad guys."

At first glance, there is little hope in this novel. A pistol with two bullets is all that really stands between the travelers and an uncomfortable death. Why, then, I asked myself, do they go on? What could possibly be the purpose? The cynic in me says that the need to persevere is instinctual -- no different from the way in which a horse or a cow will turn its back to a blast of freezing prairie air. The critics seem to think that McCarthy's implicit message is that it is the love that the man bears for his child that is the wellspring of hope. I'm not really happy with either of those answers. If I look inside myself, I think I've traveled The Road from time to time (I'm pretty sure I was on it this week, in fact) and it was neither love nor hope that kept me going. It was the fundamentally naive belief that things will get better. Maybe I'm not so different from that cow in the wind.